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The MPK25, like the MPK49, incorporates a Note Repeat function borrowed from the MPC-series workstations, which is simple but surprisingly effective. Using Note Repeat, pads can be hit and held down to trigger repeated playback of the assigned sound. The interval between repetitions is controlled by the Time Division parameter, which can be set to 1/4 (quarter notes), 1/4T (quarter note triplets), 1/8, 1/8T, 1/16, 1/16T, 1/32 and 1/32T.In spite of its small size, the MPK25 manages the neat trick of not seeming at all cramped. The full-sized keys and drum pads are every bit as playable as those of the MPK49, and the controller knobs are large and well-spaced enough to avoid being fiddly. Overall, the MPK25 feels like a serious, grown-up MIDI controller, rather than a scaled-down toy keyboard.Its compact size might make the MPK25 a good choice for the smallest home studio setups, or for musicians on the move seeking a powerful, professional-quality MIDI controller thats small enough to travel with. Its two-octave span limits its usefulness as a live performance keyboard, but for studio-based programming, or simple triggering of sounds in a live situation, the MPK25 could be ideal.
It's keys are well weighted, and the knobs are all fantastic, but it does have one down side, that being the pads are relatively poor made, they are hard to use, but in order to fix it turn the pad sensitivity up to max and hit them hard.
I bought this in January because it was small and had great capabilities. I also have the Akai MPK Mini. After a while, I realized that since I had the MPK Mini which I used on the road, I wanted something with greater capability to use in my studio.This thing is great. Getting used to the settings for FL Studio is another thing; as for the product, it does what it says it'll do. I got the rubber pieces you can place under the pads and that upped the sensitivity of the pads immensely. Before adding the rubber pieces, the pads weren't sensitive at all. Overall, you can't beat the price point for what you're getting. I find myself wanting a few more keys on the keyboard at times since I'd like to play it like a piano, but that's more of a luxury than a must have-- especially once again, at this price. It's fairly portable too. I haven't had issues with moving it around,
It's keys are well weighted, and the knobs are all fantastic, but it does have one down side, that being the pads are relatively poor made, they are hard to use, but in order to fix it turn the pad sensitivity up to max and hit them hard.
Great device! Much better than expected. It had FL Studio sounds that worked with my software and everything was so easy to hookup. As a person just beginning this machine made me sound like a pro, its that good.
Worked right away with my DAW. Haven't got deep into it yet though but already quite excited about making music. The 25 keys are not really enough but my small desk space won't allow larger can work around that.
The MPK25, like the MPK49, incorporates a Note Repeat function borrowed from the MPC-series workstations, which is simple but surprisingly effective. Using Note Repeat, pads can be hit and held down to trigger repeated playback of the assigned sound. The interval between repetitions is controlled by the Time Division parameter, which can be set to 1/4 (quarter notes), 1/4T (quarter note triplets), 1/8, 1/8T, 1/16, 1/16T, 1/32 and 1/32T.In spite of its small size, the MPK25 manages the neat trick of not seeming at all cramped. The full-sized keys and drum pads are every bit as playable as those of the MPK49, and the controller knobs are large and well-spaced enough to avoid being fiddly. Overall, the MPK25 feels like a serious, grown-up MIDI controller, rather than a scaled-down toy keyboard.Its compact size might make the MPK25 a good choice for the smallest home studio setups, or for musicians on the move seeking a powerful, professional-quality MIDI controller thats small enough to travel with. Its two-octave span limits its usefulness as a live performance keyboard, but for studio-based programming, or simple triggering of sounds in a live situation, the MPK25 could be ideal.
It's keys are well weighted, and the knobs are all fantastic, but it does have one down side, that being the pads are relatively poor made, they are hard to use, but in order to fix it turn the pad sensitivity up to max and hit them hard.
I bought this in January because it was small and had great capabilities. I also have the Akai MPK Mini. After a while, I realized that since I had the MPK Mini which I used on the road, I wanted something with greater capability to use in my studio.This thing is great. Getting used to the settings for FL Studio is another thing; as for the product, it does what it says it'll do. I got the rubber pieces you can place under the pads and that upped the sensitivity of the pads immensely. Before adding the rubber pieces, the pads weren't sensitive at all. Overall, you can't beat the price point for what you're getting. I find myself wanting a few more keys on the keyboard at times since I'd like to play it like a piano, but that's more of a luxury than a must have-- especially once again, at this price. It's fairly portable too. I haven't had issues with moving it around,
It's keys are well weighted, and the knobs are all fantastic, but it does have one down side, that being the pads are relatively poor made, they are hard to use, but in order to fix it turn the pad sensitivity up to max and hit them hard.
Great device! Much better than expected. It had FL Studio sounds that worked with my software and everything was so easy to hookup. As a person just beginning this machine made me sound like a pro, its that good.
Worked right away with my DAW. Haven't got deep into it yet though but already quite excited about making music. The 25 keys are not really enough but my small desk space won't allow larger can work around that.