DigiTech RP355 Guitar Multi-Effects Pedal

BAJAAO India presents the DigiTech RP355 is a guitar multi-effect pedal. It gives you 126 amps, cabinets, stompboxes, and effects in a single unit. Use the DigiTech RP355 pedal to create virtually any sound you want, just like the pros. With USB streaming audio and Cubase LE4, the RP355 modeling pedal easily records directly to your computer with sound so good people will think that your song was recorded in a major studio.

Effects

Volume/Wah Models based on:
Volume Pedal DigiTech Full Range Dunlop Cry Baby* Wah Vox Clyde McCoy Wah*

Compressor/Limiter Models based on:
DigiTech Compressor Boss* CS-2 MXR DynaComp*

Pickup Simulators:
Single Coil > Humbucker Humbucker > Single Coil

Acoustic Simulators based on:
Dreadnaught Acoustic Jumbo Acoustic

Noise Gate/Auto Swells:
DigiTech Noise Gate DigiTech Auto Swell

Chorus Effects based on:
Boss *CE-2 Chorus TC Electronic* Chorus DigiTech Dual Chorus DigiTech Multi Chorus

Flanger Effects based on:
DigiTech Flanger DigiTech Triggered Flanger MXR Flanger Electro Harmonix Electric Mistress*

Phaser Effects based on:
DigiTech Phaser DigiTech Triggered Phaser MXR Phase 100 Electro Harmonix Small Stone

Pitch Effects based on:
DigiTech Whammy DigiTech Pitch Shift DigiTech Detune DigiTech IPS Boss OC-2 Octaver*

Vibrato/Rotary Effects based on:
DigiTech Vibrato DigiTech Rotary DigiTech Vibro/Pan Uncord Univibe*

Tremolo Effects based on:
DigiTech Tremolo DigiTech Panner Fender Opto Tremolo* Vox Bias Tremolo*

Envelope/Special Effects based on:
DigiTech Envelope Filter DigiTech Auto Ya DigiTech YaYa DigiTech Synth Talk DigiTech Step Filter DOD FX25 Equalization 4 band EQ

Delays based on:
DigiTech Analog Delay Boss DM-2 Analog Delay DigiTech Digital Delay DigiTech Modulated Delay DigiTech Pong Delay DigiTech Tape Delay Maestro* EP-2 Echoplex Tape Echo*

Reverbs based on:
Fender Twin Reverb* Lexicon Ambience Lexicon Studio Lexicon Room Lexicon Hall EMT* 240 Plate

Amps based on:
'57 FenderTweed Champ* '57 Fender Tweed Deluxe* '59 FenderTweed Bassman* '65 Fender Blackface* Twin Reverb* '65 Fender Blackface*Deluxe Reverb* '65 Marshall "JTM-45* '68 Marshall 100 Watt Super Lead* (plexi) '68 Marshall* Jump Panel '77 Marshall Master Volume* '83 Marshall *JCM800 '93 Marshall* JCM900 '62 Vox* AC15 '63 Vox* AC30 Top Boost '69 Hiwatt*Custom 100 DR103 '81 Mesa/Boogie* Mark II C '01 Mesa/Boogie Dual Rectifier* '96 Matchless* HC30 '88 Soldano* SLO-100 DigiTech BlackBass DigiTech Bright Clean DigiTech Brownsound DigiTech Chunk DigiTech Clean Tube DigiTech Dark Metal DigiTech High Gain DigiTech Metal DigiTech Monster DigiTech Solo DigiTech Stoner Rock DigiTech Tweedface DigiTech 2101 Clean Tube DigiTech 2101 Saturated Tube

Distortion Stompboxes based on:
Arbiter Fuzz Face Boss DS-1 Distortion Boss MT-2 Metal Zone Demeter Fuzzulator DigiTech Death Metal DigiTech Grunge DigiTech Redline Overdrive DOD 250 Overdrive/Preamp DOD Classic Fuzz DOD Gonkulator Ring Modulator Electro-Harmonix Big Muff p Guyatone Overdrive OD-2 Ibanez TS-9 Tube Screamer Ibanez TS-808 Tube Screamer MXR Distortion + ProCo Rat Roger Mayer Octavia Voodoo Labs Sparkle Drive

Cabinet Types based on:
'57 Fender* Tweed Champ 1x8" '57 Fender Tweed Deluxe Reverb * 1x12" '65 Fender Blackface Deluxe Reverb* 1x12" '57 Fender Blonde Bassman* 2x12" '65 Fender Blackface Twin Reverb * 2x12" '63 Vox* AC30 Top Boost w/Jensen Blue Backs 2x12" '59 Fender Tweed Bassman* 4x10" Marshall 1969 Straight w/Celestion* G12-T70 4x12" Marshall 1969 Slant w/Celestion 25WGreenbacks* 4x12" Hiwatt Custom w/Fane* Speakers 4x12" Johnson Straight w/Celestion Vintage 30's 4x12" '96 VHT Slant w/Celestion* Vintage 30's 4x12" DigiTech Solo 4x12 DigiTech Bright 2x12 DigiTech Metal 4x12 DigiTech Rock 4x12 DigiTech Alt 4x12 DigiTech Vintage 4x12

DigiTech RP355 Guitar Multi-Effects Pedal Specifications:

• 20-second looper
• 126 Amps, cabinets, stompboxes and effects
• 34 Amp/Acoustic Types
• 18 Cabinet Types
• Lexicon Reverbs
• 30 Tone and 30 Effects Libraries
• 140 presets (70 factory, 70 user)
• Cubase LE4 recording software included
• Up to 5 seconds of delay time
• 24-bit 44.1kHz sample rate
• 60 High quality drum patterns
• 2 x 2 USB audio streaming
• USB editing via DigiTech X-Edit
• Independent 1/4" Left and Right Outputs
• Independent Balanced XLR Left and Right Outputs
• Amp / Mixer switch optimizes 1/4" outputs for amps and mixers
• Stereo 1/8" headphone output
• Stereo 1/8" Aux Input
• Learn-A-Lick Phrase Trainer
• Built-in chromatic tuner
• Durable die-cast chassis
• Built-in expression pedal
• Power supply included.

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Customer Reviews:

I'd been using an RP350 for over a year before buying an RP355 for the added stomp-switch mode and 20-second looper.rnrnThe looper is simple, without undo or a means of controlling volume. Simplicity can be a plus for live performance, though. I did a solo improv performance after only 20 minutes of practice with the RP350. I've had more complex loopers that never got used due to the steep learning curve and higher probability of making mistakes.rnrnThe stomp-switch mode is a welcome addition, eliminating the need to sequence multiple patches in order to get different effect combinations. Unlike switching patches, there's no latency in turning an effect on or off.rnrnThe tuner is improved, being much less jittery than on the RP350.rnrnThe RP355 has nine new amp models and a ring modulator effect not present in the RP350. Some of the presets are different. As on the RP350, there are bound to be a few presets that'll satisfy most players, regardless of musical preference.rnrnThe RP355 sounds as good as the RP350, which is to say: great! Modelers work best in front of a full-range amplifier. I always play through a PA. I use a compact PA at home. When I play out I simply plug the RP355 into the venue's stage snake via the built-in DI.rnrnI'm a former user of high-quality tube amps and boutique pedals who switched to modelers at the beginning of 2007; I've had no regrets. I've owned and auditioned more expensive modelers; the RP355 offers a desirable balance of features and simplicity at a very affordable price while not giving up much (if anything) to the high-end modelers in terms of sonic quality.